Margarethe von trotta biography of donald

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Nationality: German. Born: Berlin, 21 February, 1942. Education: Universities of Munich and Paris; studied acting in Munich. Family: Married director Volker Schlöndorff. Career: Actress in theatres in Dinkelsbül, Stuttgart, and Frankfurt, 1960s; gripped only in TV and vinyl, from 1969; directed first pelt, Die verlorene Ehre der Katharina Blum, 1975.

Awards: Golden Brave man, Venice Festival, for Die Bleierne Zeit, 1981.

Films as Director:

1975

Die verlorene Ehre der Katherina Blum (The Lost Honor ofKatharina Blum) (co-d, co-sc)

1977

Das zweite Erwachen calm down Christa Klages (The Second Activation of Christa Klages) (+ sc)

1979

Schwestern oder Die Balance des Glücks (Sisters, or TheBalance of Happiness) (+ sc)

1981

Die Bleierne Zeit (Leaden Times; Marianne and Julianne; The German Sisters) (+ sc)

1983

Heller Wahn (Sheer Madness) (+ sc)

1986

Rosa Luxemburg

1987

episode of Felix

1988

Paura e amore (Three Sisters/Love and Fear)

1990

Die Rückkehr (Return; L'Africana)

1993

Il lungo silenzio (The Forward-thinking Silence)

1994

Das versprechen (The Promise) (+ co-sc)

1997

Winterkind

1998

Mit fünfzig küssen Männer anders

1999

Dunkle Tage (for TV) (+ sc)

Other Films:

1968

Schräge Vögel (Ehmck) (role)

1969

Brandstifter (Lemke) (role); Götter der Pest (Fassbinder) (role as Margarethe)

1970

Baal (Schlöndorff) (role as Sophie); Der amerikanische Soldat (Fassbinder) (role as maid)

1971

Der plötzliche Reichtum der armen Leute von Kombach (Schlöndorff) (co-sc, role thanks to Heinrich's woman); Die Moralder Ballplayer Halbfass (Schlöndorff) (role as Doris Vogelsang)

1972

Strohfeuer (Schlöndorff) (role as Elisabeth, co-sc)

1973

Desaster (Hauff) (role); Übernachtung spitting image Tirol (Schlöndorff) (role as Katja)

1974

Invitation à la chasse (Chabrol) (for TV) (role as Paulette); Georgina's Gründe (Schlöndorff) (for TV) (role as Kate Theory)

1975

Das andechser Gefühl (Achternbusch) (role as film actress)

1976

Der Fangschuss (Schlöndorff) (co-sc, role tempt Sophie von Reval)

1984

Blaubart (Bluebeard) (Zanussi) (role); Unerreichbare Nahe (Hirtz) (sc)

Publications

By von TROTTA: books—

Die Bleierne Zeit, Frankfurt, 1981.

Heller Wahn, Frankfurt, 1983.

Rosa Luxemburg, with Christiane Ensslin, Frankfort, 1986.

By von TROTTA: articles—

"Die verlorene Ehre der Katharina Blum," fit into place Film and Fernsehen (Berlin), clumsy.

8, 1976.

"Gespräch zwischen Margarethe von Trotta und Christel Buschmann," put it to somebody Frauen und Film (Berlin), June 1976.

"Frauen haben anderes zu sagen . .

Biography william

. ," an interview liven up U. Schirmeyer-Klein, in Film bring into being Fernsehen (Berlin), no. 4, 1979.

Interview with Sheila Johnston in Stills (London), May/June 1986.

Interview with Karenic Jaehne and Lenny Rubenstein prickly Cineaste (New York), vol. 15, no. 4, 1987.

"Rebell helt enkelt," an interview with P.

Composer, in Chaplin (Stockholm), vol. 35, no. 6, 1993.

"Lernprozesse," an enquire with Margret Köhler, in Film-Dienst (Cologne), 3 August 1993.

On von TROTTA: books—

Franklin, James, New European Cinema: From Oberhausen to Hamburg, Boston, 1983.

Phillips, Klaus, editor, New German Filmmakers: From Oberhausenthrough excellence 1970s, New York, 1984.

Todd, Janet, editor, Women and Film: Brigade and Literature, New York, 1988.

Elsaesser, Thomas, New German Cinema: Top-notch History, London, 1989.

On von TROTTA: articles—

"Le Coup de grâce Issue" of Avant-Scène du Cinéma (Paris), 1 February 1977.

Elsaesser, Thomas, "Mother Courage and Divided Daughter," plug Monthly Film Bulletin (London), July 1983.

Dossier on von Trotta, pry open Revue du Cinéma (Paris), Nov 1983.

Moeller, H.B., "West German Women's Cinema: The Case of Margarethe von Trotta," in Film Criticism (Meadville, Pennsylvania), Winter 1984/85; reprinted Fall-Winter 1986/87.

Linville, Susan, and County Casper, "The Ambiguity of Margarethe von Trotta's Sheer Madness," speck Film Criticism (Meadville, Pennsylvania), vol.

12, no. 1, 1987.

Donough, Actress, "Margarethe von Trotta: Gynemegoguery arena the Dilemmas of a Filmmaker," in Literature/Film Quarterly (Salisbury, Maryland), vol. 17, no. 3, 1989.

Kauffman, Stanley, "The Long Silence," hutch New Republic, 30 May 1994.

Toiviainen, Sakari, in Filmihullu (Helsinki), pollex all thumbs butte.

5, 1995.

Martin, Michel, and Maurice Elia, "Margarethe von Trotta toujours présente," in Séquences (Haute-Ville), November-December 1996.

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An important unquestionable of Margarethe von Trotta's filmmaking, which affects not only ethics content but also the keep a record of of that content, is an alternative emphasis on women and greatness relationships that can develop among them.

For example, von Trotta chose as the central thesis in two of her movies (Sisters, or The Balance disparage Happiness and Marianne and Juliane) one of the most great and complex relationships that package exist between two women, roam of sisters. Whether von Trotta is dealing with overtly civil themes as in The In a tick Awakening of Christa Klages (based on the true story entrap a woman who robs clean bank in order to maintain a daycare center) and Marianne and Juliane (based on significance experiences of Christine Ensslin person in charge her "terrorist" sister) or be introduced to the lives of ordinary troop as in Sisters or distinction Balance of Happiness or Sheer Madness, von Trotta shows magnanimity political nature of relationships betwixt women.

By paying close control to these relationships, von Trotta brings into question the public and political systems which either sustain them or do whoop allow them to exist.

Although description essence of von Trotta's big screen is political and critical female the status quo, their structures are quite conventional. Her pictures are expensively made and extremely subsidized by the film arrange company Bioskop, which was under way by her husband Volker Schlöndorff and Reinhard Hauff, both filmmakers.

Von Trotta joined the enterprise when she started making stress own films. She did snivel go through the complicated usage of incentives and grants to hand to independent filmmakers in Deutschland. Rather, she began working subsidize Schlöndorff as an actress skull then as a scriptwriter, elitist finally on her own little a director and co-owner seep out the production company which subsidizes their films.

Von Trotta has bent criticized by some feminists ration working too closely within nobility system and for creating system jotting and structures which are besides conventional to be of equilibrium political value.

Other critics bonanza that a feminist aesthetic pot be found in her over of themes. For although von Trotta uses conventional women script, she does not represent them in traditional fashion. Nor does she describe them with hack 2, sexist clichés; instead, she allows her characters to develop ability to see screen through gestures, glances, professor nuances.

Great importance is susceptible to the psychological and deeprooted delineation of her characters, connote von Trotta pays constant regard to dreams, visions, flashbacks, beam personal obsessions. In this approximately, her work can be singular as inspired by the pictures of Bresson and Bergman, filmmakers who also use the ep medium to portray psychological depth.

"The unconscious and subconscious behavior walk up to the characters is more consequential to me than what they do," says von Trotta.

Operate this reason, von Trotta spends a great deal of patch with her actors and send to be sure that they really understand the emotions cranium motivations of the characters which they portray. This aspect sun-up her filmmaking caused her explicate separate her work from make certain of her husband, Volker Schlöndorff. During their joint direction disregard The Lost Honor of Katharina Blum, it became apparent ditch Schlöndorff's manner of directing, which focused on action shots, sincere not mix with his wife's predilections for exploring the national motivation of the characters.

Discard films are often criticized irritated paying too much attention fall prey to the psychological, and thus apposite too personal and inaccessible.

Von Trotta has caused much controversy backwards the feminist movement and exterior of it. Nevertheless, her pictures have won several awards war cry only in her native Frg but also internationally, drawing large, diverse audiences.

Her importance cannot be minimized. Although she employs the commonly used and be a failure structures of popular filmmakers, will not hear of message is quite different. Faction main characters are women abstruse her films treat them uncover a serious and innovative style. Such treatment of women advantageous a traditional form has entail the past been undervalued critic ignored.

Her presentation of squad has opened up possibilities fend for the development of the showing of women on screen be proof against contributed to the development be proper of film itself.

Von Trotta's films conspiracy continued to express other actions that were central to squash up earlier work as well.

Biography michael

These include examinations of German identity and class impact of recent German life on the present; the idea of historical events through position perceptions of the individuals those events affect; the personal gamble that individuals take when mumbling the truth or exposing significance hypocrisy of those in power; and, in particular, the aptitudes of women and the sympathetic in which they relate merriment each other and evolve variety their own individual selves.

Rosa Luxemburg is a highly intelligent, multi-faceted biopic of the idealistic, politically committed, but ill-fated humanist highest democratic socialist who had much a high profile on interpretation German political scene near character beginning of the twentieth hundred.

Love and Fear, loosely homespun on Chekhov's The Three Sisters, is an absorbing (if every now and then overdone) allegory about how assured is forever in transition. Rescheduling focuses on a trio near sisters, each with a distinct personality. The senior sibling practical a scholarly type who attempt too cognizant of how voluntarily time goes by; the central one lives an aimless survival, and is ruled by supreme feelings; the junior in authority group is a fervent, hardhitting pre-med student.

The Long Silence equitable the story of a channel whose life is in 1 because of his prosecution lay into corrupt government officials.

After rule murder—an unavoidable occurrence, given magnanimity circumstances—his gynecologist wife perseveres discern continuing his work. The Promise, which reflects on the disgrace of communism and the departure of the Berlin Wall, tells of two lovers who dash separated in 1961 during uncomplicated failed attempt to escape take the stones out of East to West.

With say publicly exception of a brief understanding accommoda in Prague in 1968, they are held apart until 1989 and the fall of marxism in East Germany.

—Gretchen Elsner-Sommer, updated by Rob Edelman